Buddhist Deities such as the Hayagriva and Visnu are depicted in Burmese wall murals in the temples of Pagan and Mrauk-U. Buddhist iconography excavated in Burma in the form of bronze castings of the Buddha, and deities generally associated with Hinduism, was influenced through their interactions with visiting Hindu and Buddhist pilgrims during the first Millennia.
The central figure on the rare round bronze disc is thought to be one of the depictions of the Hayagriva, with a horse head and a human body. The Hayagriva Hindu Deity is regarded as “God of knowledge and wisdom”, he is considered to be one of the Avatars of Vishnu, primarily worshiped by the Vaishnavas and believed to be one of the incarnations of the Buddha. Vishnu is one of the most highly worshiped deities in India. Haya means horse and Griva means neck in Sanskrit. According to myth and legend the Hayagriva’s incarnation took place to restore the Vedas to Lord Brahma.
It is believed that there are one hundred and eight depictions of the Hayagriva, this deity is worshiped in parts of S. E. Asia where there is a strong Hindu following. Hayagriva is often represented with several arms, holding a conch shell or sword, sometimes with Lakshmi his consort seated on his knee, usually seated on a lotus flower.
Excerpt from the Book “The Mists of Ramanna“, an excellent historical account of the Mon, Pyu and Pagan kingdoms and their early relationship with India – written By Michael A. Aung-Thwin
Pyü iconography also revealed evidence of tantric and other forms of Mahäyäna Buddhism. Avalokitesvara, Tärä, Mänusi, Jambhala, Lokanätha, and Hayagrïva, all prominent in Mahayana Buddhism, were very much part of the Pyü, and later the Pagán scene. Brahmanism was also well represented in iconography at SrïKsetra. The standing ﬁgures of Visnu and his consort, Laksmï, are found together in bold relief on a sandstone slab. Other manifestations of Visnu were found, one with four arms, standing on his vehicle, Garuda, while another has him reclining on the serpent Ananta, a motif also found at eleventh century Pagán in the Nat-hlaung-gyaung. On three lotus ﬂowers that emerge from the navel of this reclining Visnu are members of the Hindu Trinity: Brahmä, Visnu, and Siva.
Bronze Disc with Hayagriva Deity
This mystery bronze disc has intrigued us for many years and is still a source of intrigue. We originally thought the bird on the top of the disc to be that of a peacock, but have concluded that the legs are possibly too thick, and the head with the protrusion possibly rules out the peacock theory, whereas the hamsa or hintha bird is usually shown with thick legs and feet with a protrusion on the head. The hamsa bird is also seen in Indian art, sculptures and mentioned in ancient literature.
Hamsa, a Sankrit word which can be translated into hintha. Although the real hamsa bird is a graceful swan like bird it can also fly. According to Mon legends, the ancient city of Hamsawaddy now referred to as Bago, located 91 kilometers north-east of Yangon was founded nearly 2000 years ago.
The hamsa or hintha bird, peacock and the naga are significant symbolic creatures in Burma, especially so to the Mon’s of Burma. The current Mon flag features a Hamsa bird. The hamsa bird is also seen in Tibetan, Indian and Cambodian Buddhist art and iconography. Stories, myths and legends surrounding the Hamsa bird is bountiful, each with their own connotations and meanings. To learn more about Hayagriva in Buddhism
The metal on this Hayagriva disc has been tested, it shows arsenic in the composition of metals. Arsenic was used in ancient metal castings to give added strength. Our thoughts on these discs are that they could possibly be Mon or Pyu. The Mons from the early part of the first millennium were worshipers of Visnu as well as Buddhism. This also fits in with the view that the early Mons had frequent contact with India and that there was a vibrant trade between the Mon city of Thaton and those across the Bay of Bengal and down to south India.
This bronze disc weighs between 9 and 10 kg.